Review: Joker is No Joke

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Be warned, Joker, directed by Todd Phillip’s, may be based on a comic book character that has had a long history in comics but on screen, but it will change the way you look at the character and the genre. If you had changed the names of some of the characters, the result would be a powerful modern noir film about a man’s fall from his already precarious grip on sanity to full chaotic madness. This is not a film for everyone and if you go in thinking it’s going to be some “comic book movie,” you may be off-put by it’s heavy nature and uncomfortable themes. Yet it is also an exemplary work of cinematic art.

When we first meet Arthur Fleck, he is a clown for hire. And in the opening scene he is one of those we most ignore on the street as we pass them by, someone holding a going out of business sign for a store. Nameless kids steal his sign and after a chase, they corner him and beat him up.  This is also our introduction to Gotham, a city that is reminiscent of the seedy streets of New York from the 70s and early 80s as portrayed in films like Mean Streets and Taxi Driver. But as a narrative, Scorsese’s King of Comedy is perhaps the biggest influence on Joker, as Arthur Fleck has spells of delusion where we glimpse into his imaginary world where he is accepted and even loved.

Gotham is a powder-keg city on the brink of exploding. Garbage is piling up on the streets because of a city-wide garbage strike. Unrest among the populace brews throughout the film as public tensions between the disenfranchised classes escalate steadily as the film progresses. There is rampant poverty and the Gotham itself is a decaying grimy city crowded with its own mad identity. Arthur Fleck may be insane, but so is the world around him.

Without a doubt, Arthur Fleck, as portrayed by Joaquin Phoenix, is the center of the film. It is not just a character piece, it is practically a one-man show. Sure there are other characters in it, but most of them are unnamed and just stepping stones towards his dark madness. Much of this is uncomfortable to watch as Phoenix’s portrayal of an already unsettled and unhealthy Arthur Fleck finds himself drowning in a system that has not only given up on him but the city as well. An early scene shows him with a social worker where it is revealed that he has already spent time in a mental institution, yet he can not answer the reason he was there in the first place. He is already on seven medications, yet he doesn’t feel it is doing anything for him. Later, city budget cuts will halt his sessions as well as his prescriptions. His social worker frankly tells him,”The city doesn’t give a shit about people like you. It doesn’t give a shit about people like me.”

The Joker is not just about the decay of a single human being but of a society. Society and and the uncaring system that created it let down not only a person that could have been helped but a city that could have been helped. And much of the the narrative displays that as Fleck’s personality spirals, so does the city as it become more violent and chaotic. And towards the end as the Joker is truly born, Gotham City becomes its most chaotic, reflecting the made state that Joker has now embraced.

This movie definitely has its violent moments but they are not, and I repeat, not, glorified or over the top like in Tarantino’s least violent film, Once Upon a Time in Hollywood. Now some of the violence may be disturbing or even unsettling. Good. It’s supposed to be because you don’t want him to do it, yet he does. Even in one instance of self defense, you think he’s defending himself, but then he crosses the line beyond self defense.

Joaquin Phoenix crafts an amazing performance as the troubled Arthur Fleck. He initially starts off as an awkward and apprehensive character who seems harmless at first but unfortunately as he progresses and gains confidence, he is also progressing into his darker nature. It is certainly one of the best performances I’ve seen all year and I would be surprised if he does not get at least a nomination for an Academy Award.

Francis Conroy plays Penny Fleck, Arthur’s mother who as we see in the very beginning is home bound and dependent on her son . And as it will be easy to see almost just as early on is not that mentally stable herself. She obviously does not have as much screen time as Phoenix, but her performance does stand out for its subtle nuanced portrayal of another troubled person.

Robert De Niro turns in his usually impressive performance as Murray Franklin, a late night talk show host who is very reminiscent of Johnny Carson, right down to the rainbow colored curtains and his Ed McMahan lookalike co-host.

As much as joker was planned as a standalone movie, almost to be seen as an Elseworlds tale, somehow they just could not leave the connection to Batman and the Wayne family out of it. There is a subplot involving Thomas Wayne, played by Brett Cullen that it works for the most part, especially as the Thomas Wayne comes across as a bit of a jerk. But frankly including Bruce Wayne as a child in the movie was not necessary.

Hildur Guðnadóttir composed a score that is both haunting and oppressive at times. AT times it feels like a score for a horror film as an atmosphere of dread haunts her score in anticipation of fell deeds. Cello solos are featured throughout as Guðnadóttir is herself a celloist who had worked on scores for Sicario, and also composed the score for its sequel Day of the Soldado

Todd Phillips knows how to direct drama well, considering this is his background has been in comedies such as The Hangover Trilogy. He certainly knows how to shoot his film and get everything he needs out of his actors. But his script and direction are not perfect. Much of the plot is predictable, especially when we know what the end result will be. There are a couple of double twists that work though. But the is also an unneeded shoe-horning of Batman lore in to the narrative.

Lawrence Sher’s cinematography can best be described as beautiful ugliness. The grime and worn look of locations and interiors look authentic for a world that is meant to look like it is rotting. Much of it is shot in real locations in New York and every stain of rust and hue of graffiti shows.

There has perhaps been too much talk about various controversies that are connected to this movie. From fears that it may inspire someone to go out and commit violent acts like a mass shooting or that it fuels the rage of incels, it seems as people were determined to see it fail for the sake of seeing it fail. In my opinion it does not do that. I would recommend not only seeing this film with an open mind and no pre-conceived notions of it being based on a comic book character, but to see it as a quality film. Comic fans may be disappointed. Good. They need their views challenged. I believe this film succeeds in challenging pre-conceived views of not just the Joker but comic book based movies. What Zack Snyder failed to do with his Ayn Rand influenced attempts at grim and dark deconstruction of Superheroes, Todd Phillips succeeds in his auteur deconstruction of a iconic villain. This movie is highly recommended.

Final Score: 8.5/10

 

 

 

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Con Report: Silicon Valley Comic Con

This year’s Silicon Valley Comic Con has come and gone and as Silicon Valley’s largest pop-culture and comic book convention it has had ups and downs. As in the last two years prior, it took place in the San Jose Convention Center. Unlike mot comic cons across the nation, SVCC is unique in that they actively incorporate science as part of their programming. In a prominent area right beside the official con merchandise, NASA had an information and merchandise booth.

The con itself was well attended and for the first time it was held in the summer. Previous cons were held during the Spring, around spring break period. I have mixed feelings about this. According to the convention it was due to popular demand that the convention be held in the summertime. But there is a reason that summer is also called Con season and having it in mid August is right in the middle of other conventions as well. For myself I prefer the Spring as summers in Silicon Valley can be unpleasantly hot. Either way, it will be interesting to see the number of attendees this years compared to previous years.

As standard for comic cons, the were plenty of celebrity appearances and opportunities for autographs and photos with these celebrity guests. Silicon Valley Comic Con has had a history of doing reunions of casts. A few years back they re-united the cast of Back to the Future. A year after that it was a reunion of members of the cast of Star Trek the Next Generation. This year it was the re-union of the cast of the first three Terminator films and members of the Mighty Morphing Power Rangers American cast. Unfortunately, even though Arnold Schwarzenegger made an appearance on Sunday for autographs and photos, he was not on hand for the stage appearance with other cast members from the Terminator films such as Robert Patrick, Edward Furlong, Jeannette Goldstein, and Michael Biehn.

Also making an appearance for autographs and photos was Jason Mamoa (Aquaman, Dune) who has been building up a huge following over the years. Unfortunately he could not attend any stage appearance either.

Missing out on these two celebrities on stage was a disappointment but unfortunately it is the nature of the business when you have to work around the schedules of two busy individuals like Arnold and Jason. Too bad I was never a power rangers fan, I would have geeked out.

I did not cosplay this year. Part of that was the South Bay heat was not comfortable for me. And on top of that, some of my costumes no longer fit around the waist. They must have shrunk in storage or something. That’s my story and I’m sticking to it. Nevertheless, other attendees did cosplay and much of them looked really great.

 

 

 

I did however spend a good amount of time in the main exhibit hall with my shopping list of comics I was looking for and also connecting with acquaintances in Artists Alley. I did notice one thing about the programming track that was interesting. For a comic book convention, there seemed to be a lack of comic book centered programming. Maybe it’s a reflection of the industry that there are plenty of pop culture panels about things such as movies that were influenced by comics but sadly there were hardly any panels about comic books themselves. Maybe no one submitted panel ideas for comic book coverage, which is a shame.

One odd programming choice about panels I did not understand is the overlapping of panels. Half of the panels would start at the top of the hour while another half of the panels scheduled would start at the thirty-minute mark.

As with pretty much all comic conventions these days, the cultural divide is still evident in the total lack of anime and manga programming. Perhaps it is the fact that anime and manga is so huge now (manga sales are actually higher than comic books) that there is some unwritten understanding that they just may as well have their own convention. In fact, Crunchyroll Expo came two weeks after SVCC. .

Overall, the convention this year was slightly disappointing from previous years as not everything seemed to go as planned. I don’t know if there were any plans for either of the big name draws of Mamoa or Schwarzenegger to participate in stage panels but if there was no plans as such it probably should have been announced ahead of time.

Lines to enter into the convention were exceptionally long as the security company hired seemed confused about some of the simplest details such as what snacks could and could not be brought into the venue. People were made to pour out water bottles and and snacks confiscated, this included little bags of M&Ms and trail mix. All beverages including coffee had to be consumed before entering. There was apparently a special entrance for VIP ticket holders, unfortunately, hardly anyone knew about it, not even the ones at the door. And on a personal note, when I had thought that I had lost my car keys inside the convention and tried to get in just after the convention had ended, guards at the door were in total confusion as to what to do.

But the con experience, despite some nitpicks, has been steadily becoming the major pop-culture convention for Northern California. But because it actively cultivates a balance of science and technology with all things we love about nerd culture. Without movie and television studios trying to dominate the convention with major announcements or trailers, this is definitely more friendly towards fans just having fun together.

Review: Amazon’s “The Boys” is Absolutely Subversive

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Warning: This review will contain and reference graphic violence and language throughout.

If you are undergoing a bit of superhero fatigue because they all seem generic and PG-13 sanitized, the expletive filled and violent Deadpool films may fill that void. If you think those are even a little too sanitized, then The Boys series on Amazon Prime just may be your cup of tea. It out-swears and out-gores Deadpool. It doesn’t just paint superheroes in a bad light, it practically makes them villains.

There are many references to Marvel – and especially DC superheroes in the show. In fact, The Boys started out as a comic published by DC under their Wildstorm imprint, but the comic and label were cancelled. The Boys found its home with Dynamite publishing Now Amazon has adapted it for their Prime service.

Superheroes, commonly referred to as Supes in the show are commonplace personalities in the world, specifically the United States. They are looked up to and admired by the masses. In the opening scene, we see an attempted armored car robbery be foiled by two superheroes who have none too subtle similarities to the looks and abilities to Wonder Woman and Superman.

The very next scene shows us that some fucked up shit is going to be happening from this point on. Hughie (Jack Quaid) works at a Radio Shack like electronics store, not quite happy at his job. But he does have a great relationship with his girlfriend, until the day a superhero speedster known as A-Train (Jessie T. Usher) plows through her, leaving a pile of blood and gore.  Barely stopping he continues on his way.

The Supes are apparently under the umbrella of the Vought Corporation. They market the heroes and hire them out to cities for protection from crime. And they also produce movies staring these supes as well as create theme parks around them. Add toys and other merchandising and it is obvious that this is a huge corporate company with assets worth billions of dollars. And yes, it is probably a purposeful dig at Marvel Studios and Disney.

It is mentioned that there are over 200 heroes in the country but the prime spot for any of these heroes is to be a part of The Seven, a superhero team that is basically the Justice League. After the retirement of a member, a young and relatively naive superhero from Iowa is given the opportunity to join The Seven.

Coming to Hughie’s life is Billy Butcher (Karl Urban), who claims to be a Fed, but as Hughie says, he looks like he came out of a porn version of the Matrix. He ostensibly gives Hughie the opportunity to get some payback against the supes and particularly A-Train by planting a bug in their headquarters.  All he has to do is accept the $45,000 offer from the Vought corporation and sign a non-disclosure agreement.

As you can imagine, things don’t go entirely as planned. Hughie’s life is in danger from invisible superhero Translucent. Butcher saves him and the two take Translucent prisoner. It turns out that Butcher is not who he claimed to be but that he is hell bent on exposing the supes for what they are — a bunch of self-serving sociopaths who care nothing for the public other than their polling numbers, their fake personas, and profits from endorsements. Butcher has no compunction killing supes and hates them all for reasons that are revealed in a later episodes.

Spanning eight episodes, there is practically no filler in this lean series. Every episode advances the story forward. The show takes the concept of superheroes and subverts them more than any other media has ever done, perhaps even more than Watchman. And it is very difficult to give an in depth review without too many spoilers. Each episode is a revelation and they are several arcs that encompass the entire first season run.

In any other comic book universe, the members of The Boys which include other members, Frenchie (Tomer Capon) and Mother’s Milk (Laz Alonzso), would be considered super-villains. But in this world, The Boys do not have super powers and they don’t have tons of money. These are working class folks, each with reasons to hate supes.

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But the world loves its superheroes and think that they can do no wrong. Even in a superhero survivors therapy group, there is no real animosity towards them. But because of their larger than life personas and relentless corporate marketing, the heroes are treated like gods. And the biggest face of that pantheon is Homelander, played perfectly by Antony Starr. Homelander is basically a combination of Superman, Captain America and maybe All Might from the My Hero Academia manga and anime. He even has a flag as a cape. Too bad he’s the biggest cunt in the series. Out of the other Seven, he is an the true sociopath.

Possibly the second most popular member of The Seven is Queen Maeve, (Dominique McElligott) a character analogous to DC’s Wonder Woman as personified by Gal Gadot. She’s definitely in on the dirty business of the superhero life but she is also sympathetic to Starlight’s plight as the new girls and shows genuine remorse for some victims that she can not save while, Homelander shrugs it off and seizes it as a PR opportunity.

Underlying the background of these supes is their control by corporate ownership of Vought, which to them not only is their source of fame and money, but their protection from undue scrutiny and lawsuits. It is soon apparent that they have more than a marketing interest in their supes as they push for lawmakers to allow them to serve in the military as weaponized soldiers. Right away, that is a red flag in any movie or television show, even one that is subverting the genre. They also market the idea that supes are blessed by God to protect people.

The Boys does more than subvert the superhero genre, it gives it a big middle finger to its face. It also is a scathing critique of the cult of personality associated with superheros by painting them as egotistical hypocritical figures who think they are above the law. Now, one can’t but help that in real life comic book movies, Marvel ones in particular, are extremely popular. But none of them, not even the dark visions of Zack Snyder, address the day to day implications of having that much power over a population of non powered beings and the ramifications of how much terror they really cause. Yet amidst all this dark subversive storytelling is also dark subversive comedy that dials up the satire to 11.

The cast is full of personality and Karl Urban chews up his scenes with a plethora of cunts and fucks coming out of his mouth, which is supposed to be a British accent, but sounds more Australian (Karl Urban is from New Zealand). Fellow New Zealander, Antony Starr plays Homelander as the perfect all-smiling all-American hero, while underneath, he’s as total bastard, more of the Evil Superman than the kid in Brightburn. Chace Crawford plays The Deep, an unlikable person from the start who is also a joke to the rest of The Seven because his superpower is talking to fish. Though he is not really deserving of our sympathy, his back story is very interesting. Erin Moriarty Starlight serves as the only supe deserving of our sympathy as she serves as the idealistic one from the small town but thrust into the dark fucked up reality of the corporate superhero world where her image is controlled and her popularity is polled daily. Simon Pegg is featured in a couple of episodes as Hughie’s father which is an homage to the comics, since Hughie was modeled after Simon Pegg.

This show is most definitely not for everyone. It can be crass, crude, gory and uncomfortable. But it is also one of the best takes on superheroes up to date. It turns the idea of superheroes on its head and subverts the idealized idea of them. This show would not be possible and probably be as good as it is if it weren’t for how popular the superhero genre is right now. Avengers: Endgame is now the highest grossing film of all time and it was only a matter of time that a film or television series was made as an anti-superhero series. Now I’ve not read the comics that the series is based on but I never at one time felt it was necessary to have read them to get enjoyment out of it. Thankfully, Amazon has already greenlit a second season and I look forward to it as it ended on a massive cliffhanger.

Final Score: 8.5/10

 

 

Marvel at Comic-con 2019

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I have not gone to San Diego Comic-con in over a decade, and of course not Hall H. I frankly don’t miss all the crowds and the annoying press of people , especially for Hall H where it can get really packed and  bit hot. And it seems that a lot of studios are not going for the big wall to wall presentations anymore like that have done before. Warner Brothers and DC had nothing to bring  to comic con this year. And originally, neither did Marvel. But  Kevin Feige being the smart marketer that he is, realized that this year was the perfect opportunity to dominate the geek news cycle with Marvel news. So on Saturday, July 20th, Feige and Marvel brought the boom to the room.

Since I could not be there personally, I had to rely social media feeds and YouTube streamers who were also watching social media feeds. It was actually kind of fun. The slate of announcements were for many things were already expected. However there were a few surprises such as casting, and a major reveal in the end.

Obviously if you are not up to date on the most recent Marvel films, including Endgame and Spider-Man: Far From Home, there will be spoilers ahead.

The Eternals

I know that most fans know very little to nothing about the Eternals. And I highly doubt that anyone out there were thinking “Yeah! Eternals! This is what I’ve always wanted.” And in the history of Marvel comics, they were not a top tier title,  or middle tier for that matter. But their existence as the early inhabitants of earth feeds into that History Channel Ancient Astronaut itch. Their inclusion into the Marvel Cinematic Universe could be huge, though. For one thing it is possible this lays down the foundations on why some people become super powered instead of getting killed by, say gamma rays, a radioactive spider, or a super soldier serum.

The Eternals are not exactly a superhero team, they are a race of beings that have existed on earth since the beginning of time. Marvel’s panel introduced audience to the cast: Angelina Jolie will star as Thena alongside Richard Madden as Ikaris, Kumail Nanjiani as Kingo, Lauren Ridloff as Makkari, Brian Tyree Henry as Phastos, Salma Hayek as Ajak, Lia McHugh as Sprite, and Don Lee as Gilgamesh.

That is a huge stable of talent. And I looks forward to seeing what they do with this. For a more informed take on the significance of The Eternals and what the implications are for the MCU, I recommended Robert Jefferson of Comics Explained to break it down for you.

 

Thor: Love and Thunder

Gracing Hall H were Chris Helmsworth, Tessa Thompson, and Natalie Portman. Now Ms. Portman has had very little to do in the Thor movies since the Dark World and even her scenes in Avengers Endgame was previously shot footage with some post audio recorded by her. That would beg the question on why she is there. Director Taika Waititi was a fan of Jason Aaron’s comic run of The Mighty Thor where Jane Foster assumed the mantle of Lady Thor. I don’t know how they are going to handle the handing over of ther mantle because the circumstances are unique in the comics and the way the MCU is set up now, it doesn’t seem to be going in the same direction. For the film, though, Jane Foster will be known as Mighty Thor.

Shang Chi and the Legend of the Ten Rings

Yeah, I know a lot out there have no clue who Shang Chi is but I have to say I have never been more dreading and excited. I am excited because Shang Chi was one of my favorite comics in the 70s and especially when artist Paul Gullacy was drawing the comics where he straight up modeled Shang Chi after Bruce Lee to the point that Marvel probably told him to cut it out.

Now, Shang Chi comes with some baggage and the big one is of course that he is the son of Fu Manchu which is possibly one of the worst racist Yellow Peril Stereotypes in history. Marvel lost the rights to the Sax Rohmer characters a few years back. And now they have cast Hong Kong legend Tony Leung Chiu-Wai as the true Mandarin who had been hinted at as a character since Iron Man and did wrong in Iron Man 3. Now the Mandarin is still a problematic character as far as race, but the name doesn’t have the racist baggage that Fu Manchu has.

Newcomer, Simu Liu was introduced as Shang Chi who had only received news that he got the part four days before the panel.  But Mr. Liu is not a stranger to Marvel Studios as he had been campaigning for an Asian superhero before Shang Chi was ever officially announced as a project. He seemed to interact really well with the crowd and has a natural charming personality.

I’ll have more thoughts on Shang Chi in an future post. But Shang Chi and the Legend of the Ten Rings has a lot riding on it that casual fans may not be aware of.

Black Widow

After the events of Endgame, many cynics hve coiced the opinion on why people would want to see a Black Widow movie. Which begs the question of why not? Just because Tony Stark dies in the finale of Endgame does not mean that there is no reason to watch the previous movies with Iron Man. Black Widow is no different. And make no mistake, this is going to be an origin. Joining the cast besides Scarlet Johansson  will be David Harbour as Alexei, the Red Guardian.

This looks to be a more grounded film as well as a spy thriller. Besides the Red Guardian which is essentially Russia’s version of Captain America, will be Taskmaster who is a master mimic of fighting styles, making him very difficult to defeat.

WandaVision

Coming to Disney Plus. When the creators outright say that the show is going to be strange, they probably. It will feature Wanda, the Scarlet Witch, and Vision who we last saw dead in Avengers Infinity War. And it will take place after the events of Avengers endgame.

Now, how they bring Vision back from the dead has not been revealed but there are no shortage of theories as to how this can be done. Most likely it has to do with what Shuri did at the last minute in a scene in Infinity War.

I had also been promised that other MCU characters would make appearances in the show as well. The rumors that the show would take place during the 50’s was a bit off. It will apparently have a 50’s feel to it, whatever that means. But it will explore the nature and powers of Wanda more. That brings us to her joining Doctor Strange.

Doctor Strange and the Multiverse of Madness

“Just because Quentin Beck made up lies about the multiverse, doesn’t mean it isn’t real.”  Declared Kevin Feige. Director Scott Derrickson promises that this will be the first Marvel Studios horror movie. Benedict Cumberbatch showed up and received a belated happy birthday from the host and audience.

The title itself opens up a lot of possibilities and it has also been confirmed that not only will Benedict Cumberbatch be reprising his role as Strange, but that he will be joined by Elizabeth Olsen reprising her role as Scarlet Witch. My personal theory which is total speculation is that an event will happen within the WandaVision series that will lead up to being resolved in Dr. Strange and the Multiverse of Madness.

And it could all lead to Marvel’s House of M, which would be epic. Robert Jefferson is once again, on hand to give an in depth explanation to one of the major storylines to shape the Marvel Comics universe in his four-part House of M videos. Part 1 is below.

Falcon and Winter Soldier

Coming to Disney Plus in 2020 will be Falcon and Winter Soldier in their own limited series. It’s not Captain America and the Winter Soldier. Let me say why this title really works and just may shot down the nerdy theorist out there. Just because Steve Rogers gave his shield to Falcon does not mean he is Captain America. In my opinion, these things may work in the comics where you have month to month to sell the transition. I may even work as a television series. This series is only supposed to be six episodes, however.

From a storytelling standpoint it makes sense that public wants Wilson to be the new Captain America, and maybe he even tries to assume the mantle for a while. But Sam Wilson is not Steve Rogers and he has to come to terms with his own identity too. This really

What If

For Disney Plus, this has the potential to be the most fun and experimental of any series they have on their table or even their movies. What if? was a comic series that was popular for some time in the 70s through the 80s which were usually one issue speculations such as “What if Conan was in the Modern Age?” “What if Mary Jane were Bitten by the Radioactive Spider?” The comics would start with an introduction by a Watcher who basically served as the Rod Serling of the series.

Jeffrey Wright, who has been seen in such big franchises as The Hunger Games, Westworld, and Boardwalk Empire will be providing the voice of The Watcher.

Hawkeye

Also coming to the Disney Plus streaming service is a Hawkeye series. Apparently it will be focusing on Renner’s Hawkey character training Kate Bishop to be the new Hawkeye. “I get to teach someone else how to be a superhero without super powers.” They used the same graphic as the title graphic for Matt Fraction’s run of Hawkeye, which Io9 called one of Marvel’s greatest comics. Yes, there will presumably be a female takeover of the Haweye mantle. Cue anti SJW outrage. But I am intrigued.

Loki

So some bloke named Tom Hiddleston showed up for the announcement of a show that was no secret. Loki will be a limited series streaming on Disney Plus although he had died in Avengers Infinity War, he was very much alive in the time travel portion of Avengers Endgame. And we saw that he had an out. And the version of Loki that will be on the show is going to be the evil Loki, not the chaotic good one that we saw at the end of Thor Ragnarok and the beginning of Infinity War.

Blade

Two-time Academy Award winning actor Mahershala Ali came out on stage at the very tail end of the Marvel presentation. At this point, everyone on stage and in the audience were handed Black Widow hats, but Mr. Ali did not have one. WHen Kevin asked him why he did not have a hat on, he said he brought his own. He put it on and it had a newly revamped logo for Marvel’s Blade. Mic drop of the con.

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Blade had a decent following and had some success as a film franchise starring Wesley Snipes. This would mark Marvel Studio’s foray into the darker universe. The original movies were rated R and Bob Iger, CEO of Disney has said in no uncertain terms that the Marvel Cinematic Universe would not be rated R. Deadpool would be on his own at Fox. It is not impossible for Blade to be rated PG-13. The original comics were written under the outdated days of the Comics Code.

Nevertheless, the it will be some time before we see Blade on screen as Kevin Feige said after the presentation that it would not be part of Phase 4 but rather Phase 5. So many things can happen behind the scenes. Maybe Bob Iger will change his mind.`

Fantastic Four and More

A reboot of Fantastic Four was essentially name-dropped as the panel was closing as well as mentions that Black Panther 2 and Captain Marvel 2. We know the sequels are coming, but there is no release time frame set but it is inevitable. They were name-dropped as well as Fantastic Four. And like Blade, these sequels look to probably be in Phase 5.

Final thoughts

Now, if you think this is Marvel’s mic drop, remember that their appearance at Comic-Con was a last minute decision. And there is still D23 coming up in August which is the major convention run by Disney which they have been promoting for some time to supplant San Diego. Expect to hear more details on Black Panther’s sequel, Captain Marvel, and expect a team-up film to close out the phase. I am sure Marvel has a lot more news to make and more details on the films already mentioned.

There is going to undoubtedly be some pushback against Marvel for having such a diverse cast of characters in their upcoming phase of movies and it will probably be from the same corner of the internet that were going to boycott Captain Marvel and drive its box office numbers down, you know, the same ones who thought that Black Panther was pandering to minorities and was going to be a box office failure. Well, they are proving themselves to be nothing more than circular group of people echoing each other. And we know that half these people on YouTube making their little screeds could not care less or really even believe in what they say. They do it for the clicks and the views. And the fact that there is supposed outrage over diversity shows exactly why there is a need to have diversity. Now these movies may fail. But it probably won’t be because of diversity or more representation of marginalized people. If they fail, it will fail because they are just bad.

If I made any errors in the announcements, forgive me. I will make corrections in the comment section if needed.

Review: Spider-Man: Far From Home

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Spoiler Warning: This review will contain major spoilers for Avengers: Endgame while keeping Spider-Man: Far From Home as non-spoiler as possible.

Spider-Man Far from Home is not just a sequel to Spider-Man: Homecoming but is also considered the final film in Phase 3 of the Marvel Cinematic Universe. Taking place eight months after the events in Avengers: Endgame, the world is still coming to grips with a world post snap, or “blip,” as it is called in Far From Home. The memory of Iron Man haunts the movie throughout as the world still mourns Tony Stark and honors his sacrifice.

This especially looms over Peter Parker who has looked up to Tony as not just a father figure but a superhero mentor.  And as Spider-Man, others keep looking to him as either the “next” Iron Man or the next leader of the Avengers. Along with his superhero responsibilities, he is also trying to balance life as a normal teenager. This balance is strained as Peter Parker and his class go on a European science trip, which really doesn’t get much science done. Part of that is because there is a global threat from — well — monsters.

The students first see one rise out of the waters of Venice and while Peter does his best to save the city’s civilians without his costume handy, a mysterious caped character appears to fight the creature and appears to destroy it by blasting it with green energy from his hands that resemble Captain Marvel’s photon blasts while also wielding what look like Dr. Strange’s spell glyphs.

The students dub him Mysterio as a play on the Italian press describing him as a “Mysterio” or Mystery Man. It turns out that his name is Quentin Beck, a soldier from an alternate earth, and he has been working with Nick Fury to battle creatures known as Elementals, based on the elements, they had destroyed his earth.  Fury wants to recruit Peter into the team to combat these things. Peter is reluctant to do so as he doesn’t feel he is up for the task plus he wants to just be a high school kid for once. Of course if great laid out plans worked as they are dreamed of, we would not have a movie. And he’s still an awkward dork.

This may be Tom Holland’s second Spider-Man movie, but it’s the fifth time he’s played the web slinger. He’s really come to personify the role now and is as connected to the role as much as Robert Downey Jr. has Iron Man or Chris Evans as Captain America. His performance as both Peter and Spider-Man come across as a authentic teenager who has accepted his great responsibility but has doubts about his ability to step up.

It helps to have a strong supporting cast to lift up our main and they are on hand for Spidey. These current Spider-Man films have the most ethnically diverse cast in any Marvel film and it really makes the setting of a New York City High School believable.  Jacob Batalon returns as Ned, the world’s worst best friend. He is mostly around for some comic relief and a source of distraction for Peter when he needs to get away. Since they are out of their home element, their is no opportunity for him to really be the “guy in the chair.” But he owns all his scenes.

Zendaya is back as MJ. Previously, she provided sarcastic commentary every few scenes like a deadpan Greek Chorus. She still does that, but is also the object of Peter’s affections and a such a contrived plan to confess his feelings, it rivals that of anime slice of life romances. Nevertheless, romance does play an important sub-plot for Peter’s character as deals with his hormones and added superhero responsibilities. Though her character is still deadpan, and dry humored, she brings a certain charm to it which reminds me of the goth kids I grew up with in my high school.

Of course, Samuel L. Jackson returns as Nick Fury, a role he was born for. Well, technically, this role was made for him as it was based on the Ultimate Universe comics version oh Fury. And those Ultimate comics line based their Fury on Samuel L. Jackson. Funny how these things work out. Jackson’s is, as always, a welcome presence in the role and brings along Maria Hill (Cobie Smulders) as the guys in the chair tag-team for Spidey this time around. He provides the contractually obligated snappy one-liners with typical Jackson panache, minus the use of motherf***er word, of course.

Jon Favreau is back as Happy Hogan with a bigger, more involved, role this time around and also serves as the closest person Peter can turn to for emotional support in the absence of Tony Stark.

If it were any other actor than Jake Gyllenhaal, the character of Mysterio would be a joke. But he manages to not just embrace the role, he manages to sell it to us. For those who know the character from the comics, it’s not too major a surprise what his story is, but it’s more about how and when it is revealed. There are of course differences between the character’s history in the comics as opposed to the MCU, but this fits the movie universe quite well. And for those that were picking apart the trailer looking for clues to support fan theories, y’all got played a little.

The locations from Venice, Prague, and London look great on film and is a welcome change from the almost stale look of generic locations that are so often used in other Marvel Studio films. It really does make the film feel large in scale. And the eye-popping action sequences utilize the locations to great effect.

The film does suffer from a few issues however, one of which is a major dumb decision from Peter Parker that will put himself and everyone he knows in danger. The plot hinges on this, of course, and I guess it was necessary for him to make that dumb move.

With the evolution of the MCU movies, the tech has gone from plausible to near magical and I’m not sure how I feel about that. From magically omnipresent A.I. to spider suits that are magically put together by nano-technology that not just stretches believability but really makes the stakes feel less high is magical tech is going to solve everything.

As humorous as Far From Home is, some of the jokes land flat and romance angle seems to drag at points with what seems to be an unneeded and contrived triangle involving fellow student Brad Davis (played by Remy Hii) for MJ’s attention.

And of course, stick around through all of the credits until the end to catch the two post credit scenes. These two scenes aren’t just little stingers, but they setup major plot points and teases for events moving forward not only for Spider-Man’s future but the MCU as well. Despite a few shortcomings, Spider-Man: Far From Home is a fun entertaining film and is not just a palate cleanser to Avengers: Endgame and close to Phase 3 of the Marvel Cinematic Universe. It opens the way for the next phase of movies to come. It comes with two thumbs up from me and is Highly Recommended

Final score: 8.5/10

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Review: “Brightburn” is Basically “What if Superman was a Child Psychopath”

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Tell me if you’ve heard this one before. A Kansas farm couple have been unsuccessful at having a child, then one day, a streak in the sky that results in a crash in the woods answers their prayers. They raise the infant child as their own. It soon becomes apparent that the child is not normal, he has extraordinary powers. He is also developing into a psychopath.

If you thought Zack Snyder created a murderverse version of Superman in his interpretations, you better sit down. Brightburn, directed by David Yarovesky, takes the trope, and turns it on its head. So basically what if Superman was an evil kid.

But let’s be clear, Brightburn is a Sony Pictures property and has nothing to do with DC or Warner Brothers. It is produced by James Gunn from a script by Mark and Brian Gunn. Once past the plot hook, Brightburn is an effective straight-up horror film with roots in the slasher genre. It was made for a budget of less than $7 million but looks like it was made for more. It helps to have a good cast too. Elizabeth Banks and David Denman play the loving and normal parents to Brandon, played by Jackson A. Dunn. This trio of casting choices makes carries the weight of the film.

When we truly see Brandon once past some home video of his infant version, he is a relatively normal 12-year old boy in small farming town of Brightburn, Kansas. It is apparent he is smarter than the other kids and he draws teasing from others for it. He has a young crush on Erica (Becky Wahlstrom), the girl who sits in front of him.

Things start to change when he realizes on day that he has superhuman strength. That night, he sleepwalks to the barn, hearing an eerie voice in his head. He unsuccessfully tries to open the barn’s trapdoor. I don’t think it would spoil anybody that it’s obvious that the spaceship that Brandon crashed in is stored in there.

It is possible that Brandon has always been a bad seed as his parents one day find under his bed magazine pages of models, but as they go from one page to another, it goes from bikini clad models to operating room pictures, and anatomy drawings. Otherwise his turn to seem to be influenced by either the development of his powers, the beginning of puberty, or just the spaceship talking to him. Nevertheless, he begins to believe himself superior to those around him as the voice in his head tells him to “take the world.” More his powers begin to manifest beyond superhuman strength and they will look familiar to anyone who knows the Superman tropes.

The film descends into slasher territory and becomes quite gory as Brandon acts against those he perceives as his enemies. His parents aren’t oblivious, however, especially his father. David Denman as Kyle Brenner plays a loving dad, but is the first to suspect his kid is not just going through normal growing pains. Elizabeth Banks is great as the always loving mother who still thinks of Brandon as her baby boy, yet even when she realizes how evil he has become you feel sorry for her.

What makes Brightburn successful is that it promises a premise, delivers on that premise and offers it up in a compact package with great performances and deft editing. It clocks in at a trim ninety minutes, yet tells its story quickly leaving open a possibility for a sequel or franchise. If anything, it could have been longer.

This movie, is not for everyone, however. It is quite gory at times with some very unsettling makeup effects. It is rated R for a reason so I would not recommend bringing young kids to see this. IF you are a horror fan you will probably enjoy this. And if you are a comic book fan who also happens to like horror, you may enjoy the unique take on the standard trope. Recommended

Spoiler Free Avengers Endgame Review

 

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It was one of the greatest gambits in movie history. What began as a tease when the first Iron Man was released has finally culminated into what may be the biggest movie franchise in film history, rivaling, maybe even surpassing Star Wars. When Samuel L. Jackson showed up in the post credit scene of Iron Man and mentioned the idea of an Avengers Initiative, there was as yet no genuine plan for actually making an Avengers movie.

Even more audacious for the Avengers plan was that every member of the team was going to have their own solo movie to introduce us to the individual members of the team. The Incredible Hulk followed Iron Man (witch is possibly the least connected of the Marvel films), then came Captain America: The First Avenger, and on and on. Every movie was connected and every movie had a post credit tease that led to another movie that was upcoming. It led to the first Avengers movie, the Avengers: Age of Ultron, and last year Avengers: Infinity Wars, The Empire Strikes Back, of comic book movies dropped and like that iconic Star Wars movie from then, left audiences guessing on what will happen next.

Now, we have come to Avengers: Endgame, the culmination of ten years and twenty-two films. Was the wait worth it? Hell yes! Clocking in at three hours, it it is the longest Marvel Studios movie, yet the movie is so tightly packed that there is very little slow parts in it. And any part that may seem slow is actually a buildup to the biggest payoff in not only comic book movie history but maybe in movie history.

The final hour of Endgame is the closest that comic panels have ever become realized on the big screen. Do yourself a favor and do not wait to see this at home, or those really bad bootlegs that have already leaked. The inevitable final battle is a jaw dropping feast of sight, sound, and fist pumping fan moments.

But less you think that this is just a bunch of fan service moments action scenes (I’m looking at you, Game of Thrones season seven!) the film gives every character their featured moment. Character’s that were B-list in the past movies are given a story arc that they had sadly been missing before. Hats off to to all the actors bringing their A-game.

Ultimately Avengers: Endgame is a reward and a love letter to the fans who have stuck around for a decade and twenty-two films. There are almost too many Easter eggs, callbacks, and cameos to count, yet non of it is gratuitous or takes you out of the story. At least I did not think so. And of course there is the appearance of Stan Lee in his final filmed cameo.

I of course highly recommend watching at least the other Avengers movies first — and pretty much almost all the Marvel studio films. This really does tie everything together and gives many of the characters closure to their story arcs.  I have no reservations on seeing this multiple times, and I give it the Highest Recommendation.