Carole & Tuesday is a Netflix Must Watch Anime

 

carole-tuesday-titlecardNetflix has been getting into the anime streaming game for some time now with some exclusive titles, some of which they genuinely produced as opposed to slapping their name on it as a Netflix original. Their binge model of dropping all episodes at once has largely been a success for the streaming company. In the case of anime that they have exclusive licenses to, the show may have been running for months before it shows up on Netflix. Carole & Tuesday is such a show.

Carole & Tuesday is a 24 episode series that is produced by Studio Bones with exclusive international streaming rights belonging to Netflix. Though the streaming giant was not involved in actual production, it is still labeled as a “Netflix Original.” Netflix has decided to cut that 24 episode season into two parts and deliver part one while second half is still being broadcast in Japan. They have also included an exceptional dub to go along with the show which I think fits it all the better as we shall see in a little bit.

I had been anticipating Carole & Tuesday since I’ve seen early preview clips on YouTube and even more excited after seeing musical clips from the performances. I’m anxiously awaiting the second half of the show. Hopefully it’s only a matter of a few months because this show is a delightfully entertaining with an infectious spirit that will have you falling in love and rooting for the title characters.

We are first introduced to Tuesday as she runs away from her wealthy home with a robotic rolling suitcase and a guitar (a Gibson acoustic, of course) on her back. In an opening montage it becomes clear that the setting is not only the future but that it also takes place on a terraformed and colonized Mars. Carole is a girl that seems to have trouble keeping a part time job. While performing on the street with her keyboard, Tuesday is captivated by Carols’s music, and the magic of the show is born.

It is the most simplest of stories, two girls meet, form a bond, discover their love of music and decide to make their musical dreams come true together. Carole writes great melodies and Tuesday has a knack for lyrics, all they need is work. Unfortunately in this futuristic world, songwriting and music composing have been replaced by AI and efforts are seen at best quaint, and at worst unwanted.

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In contrast to their lofty dreams is Angela, an already successful model who is being steered towards singing by a controlling mother who also acts as her manager. She is coached by an unemotional vocal “coach” that is training her voice to conform to his Artificial Intelligence created songs.

Tuesday and Carole end up getting the attention of Gus, a down on his luck music manager, who has seen better days who usually spends his days drinking his sorrows away lamenting better days. After seeing a viral video of the pair singing, he leverages his way out of the bottle and into their lives as manager. Dragged along for the ride is Roddy, the nerdy sound technician(and source of the viral video) who has an awkward crush on either Tuesday or Carole. It is possible he’s crushing on both. It’s not really clear, and that is somewhat charming.

Things go a bit rough at first for the pair in the beginning, especially after they get conned by a little beer-guzzling robot video director. But all the pieces will gather together for Mars’ Brightest, the biggest singing competition on the planet that is similar to modern singing competition shows like American Idol that are popular now.

Underlying the story is a few commentaries about the nature of stardom and also of social media. One of the featured singers is best known as a social media star, basically posting Instagram or YouTube videos of himself just being in front of things calling attention himself. Yes, it’s very similar to our present day “influencers.” Stalking is personified in Cybelle who has an unhealthy obsession with Tuesday. And of course, the main crux of the story is that Carole and Tuesday write their own music as opposed to ling an AI do it for them.

Overall, the show is just plain fun and will make you feel good on a dreary day. The characters are all interesting and the acting in both Japanese and English are exceptional. In fact, I lean more towards the English dub as all the songs, except for one in French, are sung in English as they were in the Japanese broadcast version.

The show’s lead director is Shinichiro Watanabe, who is best known for the classic anime Cowboy Bebop. In fact, I have a sneaking feeling that somehow the two shows are connected, not just because of the Mars setting. And if you are familiar with Cowboy Bebop, then you should be prepared for top notch quality in not only animation but music as well. In fact, every episode title is named after a famous song such as True Colors, Every Breath You Take, Born to Run, Dancing Queen, etc. Each episode also features the corresponding 45 RPM that the title refers too as eyecatches (title cards that appear in what would be the beginning and end of a commercial break in Japan). Details like this really show that the producers love their classic pop music.

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It must also be pointed out that even though this is an anime with some exaggeration of characters, the character design of our main stars is not only beautifully done but done in a manner that does not overly sexualize them — in other words they look like normal young women. And I must also add that this particular anime has done an exceptional job in not making persons of color look like the racial caricatures they have looked like in the past.

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I found myself, like Roddy, just crushing on the pair of rising stars and found their spirit of not giving up while climbing uphill and keeping their spirits positive to be infectious. It’s as easy to root for these girls as it is to love them. The first twelve episodes complete a major story arc. But it does not close out the show as the second half promises to continue the next phase in their story. Even the show’s rival and antagonist, Angela, is a fascinating character who may have a bad attitude, but is still sympathetic.

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Carole & Tuesday is an absolutely binge-worthy series and will be a delight for everyone. It is appealing for most ages except for some light swearing and one song in particular which is filled with f-words. It’s played for laughs but it is extremely catchy. For reference, it’s Episode 9’s performance by the Mermaid Sisters. Below is the video.

I highly recommend this show not only as an anime but as television series. Like Cowboy Bebop, this is one of those titles that anime fans can recommend to non anime viewers. It is extremely accessible and filled with great tunes that blend naturally into a animated series filled with delightful characters of heart and charm. And for days when you are feeling maybe a little down, tune in to Carole & Tuesday for a show to make you feel a little better about the world. Oh, and you too will want a robotic AI owl alarm clock. Although I’d go for a penguin one.

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Final Score: 9/10

The first volume of the vocal collection is available on iTunes digitally. Amazon Music sells individual songs as opposed to the album.

If you are interested in artists behind the singers in the show follow this link. http://caroleandtuesday.com/music/artists/

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Review: Your Lie in April

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Music is a terrible thing…If you hear a marching band, you march, if you hear a waltz, you dance, if you hear a mass you take communion. It is the power of music to carry one directly into the mental state of the composer. The listener has no choice. It is like hypnotism. So now, what was in my mind when I wrote this? Hmm? A man is trying to reach his lover. His carriage is broken down in the rain. The wheels stuck in the mud. She will only wait so long. This is the sound of his agitation. “This is how it is.” The music is saying “not how you are used to being, not how you are used to thinking…but like this.”

Beethoven, Immortal Beloved (1994)

Note: Almost all quoted dialogue is from the English dub as I feel is not only a faithful adaptation of the intended script but also an eloquent localization which flows more naturally when spoken in English. The result is very poetic.

Within the medium of anime, there is a genre called slice of life. Think of it as weekly dramas or sitcoms. They do not usually incorporate any fantastical elements like magical battles or big robots fighting each other. The is no world saving. What usually makes it stand out as a success is a cast of characters that draw the audience into their personal stories how they interact with others.

Every season, there are dozens of anime series that come out encompassing different genres. The slice of life genre has its fair share of titles and of course there will be ones that rise to the top in terms of quality. Every once in a while, there are titles that not only rise to the top of its genre, but rises above all other shows in the medium to become true works of art. Let us look, with some minor spoilers, at the beauty of Your Lie in April.

In Your Lie in April, Arima Kosei was a former prodigy pianist who was on the track to being a star. One day, after the death of his mother, he suddenly stopped playing in the middle of a performance. His two best friends are Tsubaki Sarabe, a tomboyish girl who has known Kosei since they were little children, and Ryota Watari, captain of the soccer team who likes to think of himself as a playboy and likes the company of girls he considers cute. By the way these kids are the most poetic and articulate middle-schoolers ever. The series is very well produced and is absolutely beautiful to see. It is captivating and will break your heart more than once during the 22 episode run.

Kosei’s for the last few years has been basically wading his way through life after the death of his mother. He emotionally broke down in tears on stage. It is soon evident that the reason for this is that he’d been emotionally and physically abused by his mother to become a great pianist. Critics labeled him the human metronome, someone who plays pieces exactly as they were written.

When he first meets Kaori Miyazono, a fellow student, he is intrigues by her free spirit attitude. Ostensibly he and Tsubake are the tag alongs for a introductory meetup between Kaori and Watari because Kaori apparently likes Watari. It turns out that Kaori is a violinist and that she is on her way to a competition. In competition, the players are assigned a set piece that is supposed to be played as it is written. In this case it is the Kreutzer by Beethoven a piece for Violin and Piano. All the other pianist play well and according to the way it is written, but when it is Keori’s turn to play the Kreutzer, it is not as it is written. It is paced differently and alive with flourish and passion. This annoys the judges who mark her down, but it wows the audience. But is the fictional above quote from Immortal Beloved can be taken at perspective, it is like a heart agitated and exited.

While at a cafe together, Kousei shows some kids how to play Mozart’s “Twinkle, Twinkle, Little Star,” but he stops in the middle and leaves after improvising. He confesses to Kaori later he can not hear the notes of his own playing once he starts to concentrate. Kaori knows that Kosei used to be an accomplished pianist and is determined to bring his talents out again. His other friends are all for this as they know he’s been aloof, merely content at coldly transcribing pop songs to sheet music for piano. “For people like us, life without music is death.” she tells him.

She tries to convince him to be her accompanist for the next competition. He is constantly surrounded by the planned piece, with either sheet music taped to his text books or the music playing over the school’s PA system. Up until the day of the competition, he still refuses. “You’ll have me this time,” Kaori tells him. “I know you can’t hear your own notes and that you’re all kinds of rusty. I know all of that. And I want you with me anyway. Maybe we bomb out there. Maybe we step off that stage in defeat. We are going to play. If there is a crowd and a chance to play, I’m taking it. I’ll give it everything I’ve got. And the people who hear, they’ll never forget me. Part of me will echo in their hearts forever. I think those moments are why I’m alive. I was put on this earth to make music, and so were you. So please, be my accompanist. Believe in me, even a tiny bit.”

In his first public appearance since he broke down, he is unable to keep up with Kaori’s free spirited and lively playing. He starts off well, but haunted by the memory of his mother who literally beat it into him to him, he becomes lost. His ability to hear the notes, once again leaves him as he loses confidence. He ends up halting completely.

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The competition is over for them, now. But Kaori merely gives Kosei a look and says “Again?” She starts from the top and once again he tries to follow. We hear her thoughts as if he were communicating with him telepathically. “It’s dark and we can’t see where the road leads, but trust in me and take another step. The stars will light our path however faintly. I know they will. Come on, our journey awaits.” At this point she’s just playing to play. “She moves me forward, relentlessly, like a heartbeat. Her music is everywhere.” he thinks to himself as he unleashes himself on the keys not as an accompanist but as a soloist. One of the judges observes it is like observing a musical brawl.  Yet, there is so much spirit and bravado that even though they are now out of competition, they have the audience enthralled, resulting in a rock concert style standing ovation. “The cool dry air, the sent of dust, my journey has begun,” says Kosei to himself.

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Yes, they were disqualified, and their performance was technically a train wreck, but slowly Kosei begins to open up and try to come to grips with the inner pain he still carries from his mother’s treatment of him.

It is clear right away that Kosei is attracted to Kaori not just for her musical abilities but for how he makes him feel more alive than he has in years. “The girl who likes my best friend,” he even thinks. Yet, he also knows his best friend likes her and she likes him. Yet, Watari doesn’t have a bone of jealousy in his body and encourages him to be play with Kaori. Of course, Watari is a good hearted playa, so of course he’s got another girl. And as par for the course with standard anime and melodrama tropes, Tsubake as been developing feelings for Kosei too.

As dramatic as the subject matter is, there are great moments of comedy between the characters, much of it slapstick and stylized in chibi transformations where the characters become mini caricatures of themselves. Much of that slapstick humor comes at the expense of Kosei, though as he is often kicked, slapped and yelled at by caricature versions of his friends. This is of course played for laughs and stands in total contrast to the flashbacks of when his mother would abuse him both verbally and physically. This may be more disturbing to some than others and some of you may not see the difference between the slapstick chibi violence and the  memories of Kosei’s past.

Kaori manages to talk (i.e. trick) Kosei into entering a competition featuring Chopin’s Wrong Note Etude. As the layers of Kosei’s old pain is peeled away, the scabs are exposed. Hidden within his pain was the belief that if he were a better piano player, his wheelchair bound and sick mother would get better. Yet, we are still watching the deconstruction of a young boy who is dealing with repressed pain, maybe even depression. Kosei’s memories come flooding back during the competition as he faces down the looming presence of his mother’s shadow, and looks toward Kaori for his inspiration.

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In many ways, Kosei shares SOME qualities with Shinji from Neon Genesis Evangelion in that he has led a traumatized life. His pain and trauma stem from merely wanting approval and acceptance from a parent. Yet, he evolves beyond being the human metronome. He has learned to play with heart and love. It even inspires his old competition rivals.

Some of the elements that make the simplest of stories succeed and resonate is of course is in the execution. Your Lie in April is an absolutely beautiful modern anime with warm colors contrasted with the stereotypical flutter of falling cherry blossom leaves. You can tell that this show was not skimped on. Much of the musical performances on piano and violin look rotoscoped which gives it a look of authenticity.

And of course, the music is from some of the greatest classical composers of all time. On hand are Beethoven, Chopin, Tchaikovsky, Bach, Kreisler, and Mozart. The original music is good and as well and has a top notch opening song by the group Goose House.

The writing, once you accept the fact that these are the most eloquent middle-school kids in the world, is beautiful. The dialogue when it is not being comedic, is near poetic in the English dub or even when reading the subtitles. The writing works in subtle and complex ways of proving a narrative and advancing some important themes. Kosei may be just be one boy in an average middle-school. But his story just doesn’t effect himself, his success and failures relies on and effects all those around him, from his rivals to his best friends. His joys and sorrows (which are also two musical pieces used, Love’s Sorrow, Love’s Joy) are deeply connected to everyone.

Your Lie in April teaches us is that we matter to our friends and our joy brings them joy. We need personal connections not only to live but to lift each other up. Koari is the greatest personification of that. We can probably relate to those points in our lives where we fee down, with low feelings of self worth. We are not good enough, we can never live up to what is expected of us. So when Someone like Kaori comes along saying something like, it’s all right, be what you are, live like there’s no tomorrow, it is a wish many of us desire over most difficult of times in our lives.

Your Lie in April has more than its fair share of melodrama beyond what was already mentioned. Some of the supporting characters do not have much of a story arc outside of Tsubake. Kaori’s back story is revealed even slower than Kosei’s and it is not until the final episode 22, the finale that we learn her story fully. And we also find out the significance of the title, Your Lie in April. I’ve known grown men to totally break down in tears by the end of the series.

The beauty of the series is not just the gorgeous art but in the main characters. While some may feel like there is too much internal monologues of Kosei and a few others, it actually allows us to enter into not only their personality but  their souls. It makes the show all the more compelling and we end up rooting for Kosei to succeed.

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I am an unabashed fan of this series and have watched it several times. It is filled with beautiful animation, classical music, exceptional English dubbing, and poetic writing. It says to the audience, you don’t have to go through life alone, there are people who care for you and even love you. Highest Recommendation

Final Score: 9.5/10

Review: The Rising of a Shield Hero Season 1

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In various anime the theme of being transported into another world, under the sub-genre called isekai, is not especially knew, of course. One of my favorite ones was The Vision of Escaflowne from 1996. Modern isekai, for better or worse, have lately been following the formula of not merely transporting the main character or characters from their ordinary mundane lives and depositing them into a fantasy world. Most new isekai now transports the character to a fantasy RPG gaming world — with stat sheets and leveling up quests.

Most of these shows are trash in my opinion. One show I managed to catch last year, and I’ve mentioned in my coverage of Crunchyroll Expo 2018, was a preview of The Rising of the Shield Hero. This particular show stands above the generic isekai that has lately flooded the industry. Based on a series of light novels by Aneko Yusagi, the anime had a bit of internet controversy which we will get to later but it turns a few fantasy cliches on its head while still following some standard tropes. There is also a series of manga that is adapting the light novels.

Naofumi Iwatani is an otaku college student. One day in the library, he stumbles upon a copy of a book called The Record of the Four Holy Weapons. Believing it is a standard light novel, he begins skimming through it. He sees a description of a world that summons four heroes from another world to battle great waves of evil. He smirks how cliched it is when the heroes are described as a Sword Hero, a Spear Hero, and a Bow Hero. When he gets to the section detailing the different heroes, the entry for the Shield Hero is blank. So of course, magic light happens and he gets yanked out of the mundane world and into another world.

Upon arrival, Naofumi meets the other summoned heroes who are apparently not only from alternate eras of Japan, but from alternate histories as well. For this first season, that fact hasn’t come into play. Each of the other heroes are armed with their perspective weapons. Naofumi is armed with, you guessed it, a shield. In most games, the shield person is a bit useless and has no offensive capabilities.

It seems that the summoned heroes have no choice but to help the kingdom defeat the monstrous hoards that threaten the kingdom in waves. Their only way of returning is by winning. Not only that, they are low level heroes with zero experience. Yes, in the corner of their vision is their stat sheet which tracks their levels and skills. It is determined that they must level up before the first wave arrives and must do so separately. They are each allowed to recruit a party to join them in their leveling up quests.

Unfortunately for Naofumi, no one chooses to join his party initially. Myne, daughter of the King does decide to join him though and they set out to into the world. He acquires some low-level armor and a bit of coin. And after what he feels is a successful day of adventuring and slaughtering orange balloons, he relaxes with a few pints and spends the night in a tavern.

The next morning, he is arrested and accused of a crime he did not commit, the attempted rape of Myne. While in the court of the king, and in front of the other heroes, it is apparent that not only are the charges false, but a set-up my Myne to discredit him.

Controversy One – Let me take a bit to address this as when this episode first aired, there was quite a bit of internet controversy over the idea a false rape charge. Rape is a very  serious real world horror. In this era of Me Too, something like this is sure to generate controversy. And as far as storytelling is concerned it gives  insight to the personality of Myne, who will go on to be one of the most disliked anime character in years. I don’t believe the creator or the producers were trying to make any sort of statement other than to portray Myne as an evil and devious person. If you can get by that, then the anime is worth watching.

No one believes in Naofumi’s innocence and yet, because of his status a the shield hero he can not be imprisoned, executed or even sent back to his world. Instead, he is ostracized as world spread about him about being some sort or monster.

Here is where the show becomes something special. By the second episode, Naofumi is despised and outcast. He is alone and has the entire world hating him for a crime he did not do. One of his few sympathizers is the weapons and armor shopkeeper, who ends up lending him some armor. Since no one is willing to join him, he resorts to acquiring a slave since he can not trust anyone (in this world, slavery is not outlawed, but still looked down on. They are also bound by a spell that ensures obedience.) But because he can not use offensive weapons, he trains his newly acquired slave, a demi-human named Raphtalia to be his sword to his shield.

Controversy Two – Being American, slavery and it’s legacy are hot issues to this day. However, outside of the United States and historically, slavery was treated differently. That is not to say that it was a positive thing to be a slave. In fact, the show even has the most dislikable characters despise slavery. For a much more in depth analysis of the subject, I recommend this well written and unique (it’s a Christian anime website — that’s unique!) and lengthy article at Beneath the Tangles.

As the season progresses, Naofumi’s character arc undergoes quite a change as he acquires more party members. His distrust of everyone around him makes him a perfect anti-hero and at first he does not care about his quests other than a means of leveling himself up and fulfilling his duty as the shield hero so that he can go back to his own world. As time goes on, mostly under the influence of Raphtalia, Naofumi not only begins to trust, but to become concerned for the common folk of the kingdom.

Before long, it seems that Naofumi is left to clean up the mess left after the other heroes. When the bow hero slays a dragon, its rotting corpse begins to spread disease. He ends up ridding the town of the disease and killing the not-quite-dead dragon.

There is much to like about the series, especially the supporting characters. Well, some of the supporting characters are outright despicable. Even though it relies heavily on the tropes of the genre it is trying to subvert, it has enough original elements in it to rise above the average dropped into another world anime. Not everything is straight forward or as what initially as it seems as the later episodes in the season hint at a deeper complexity to the world than what has been seen so far.

Though we mostly follow the exploits of Naofumi, he crosses paths a few times with the other heroes. But being blinded by Naofumi’s reputation and the lies about him they are not automatically trusting of him, even if they do have the same goals. Although, Ren (sword hero)and Itsuki (bow hero)come across later as more open minded and interested in seeking the truth. Motoyasu (spear hero), however, pretty much stays a douche throughout the season.

This is not a grimdark fantasy like Berserk, however and for good or ill it does have it’s lighter moments, mostly involving Naofumi’s companions. But as the season progresses, he does lighten up a bit. And a par for the course, there is a healthy dosage of cute contenders for best girl. The animation is definitely top notch, with well done battle scenes and a unique magic system that does not seem to b confined to any one class. The music by Kevin Penkin is appropriately epic.

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The final episode of the first season ends on both a good closing point and a cliffhanger which is a foreshadow for things to come. At the time of this writing, there has been no announcement for a second season. So if a second season does not happen, even though there is no indication of that, the first season is definitely worth checking out. Recommended

Final Score: 8/10

 

Anime Retrospective: The Vision of Escaflowne

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The Vision of Escaflowne came out in 1996 and it stood out for several reasons. It was not the first mecha, or robot anime, that was retro or took place in a non-modern setting, but it did it incredibly well. It had Steampunk elements with its blend of giant robots battling it out and medieval settings and fantasy tropes. Normally this would have been a perfect scenario for a cliched male protagonist. The Vision of Escalowne turned that on its head by not only having a girl as the main character but also making it a robot fighting anime with romance. With music composed by Yoko Kanno and Hajime Mizoguchi, The Vision of Escaflowne would go on to become a classic in anime history.

The premise seem almost cliched now. Hitomi is a typical high school girl with no care other than running track and her school crush who she has of course not confessed to yet.  She is popular, studious, and relatively independent for a high school girl. She likes to tell fortunes with tarot cards for her friends and actually has a slight ability to see the future. But lately she has been plagued by visions of another world that is not her own. While out at the track, preparing to confess to her crush, when a dragon suddenly appears on the school grounds. Fighting it is Van, who it turns out is from a world called Gaea.

Once there, she becomes embroiled in a war raged by the empire of Zaibach against the many other nations of the world. The inhabitants of the world are a rich and diverse melting pot of races, and species. The different nations each have their own distinct history and culture.

And of course there are the fighting mechs called Melefs which are about four meters tall and Guymelefs which are about ten meters tall. These are basically specialized armor for elite fighters and look really damn good in action.  Check out the video clip below for a sample.

Van, who we are introduced in earlier is s prince about to inherit the kingdom of Fenalia, must deal with the aftermath of the destruction of his kingdom by Zaibach and learn to control the Guymeleth called Escaflowne which is powered by the heart of the dragon that he had slain with the hep of Hitomi. Escaflowne is not just any sort of mech – it is powered by the heart of a dragon afterall. It can transform into a flying mech-dragon. That alone is worth checking out.

But the storytelling is definitely a complex mix and stands above the generic idea of good guys vs, bad guys. Hitomi may start of as a typical high school girl and a little too damsel in distress in the beginning but her character growth through the series is believable. The romantic triangle that she is involved in may be a bit off-putting. Cuz we know it’s always meant to be Hitomi and Van.

The production and storytelling really do hold up considering the age of it. And yes, it is hand drawn animation with may seem jarring to some of you youngins but because it is done traditionally and still looks as good as modern anime, it shows the quality and the care that went into the making of it. This show is a classic in animation even in an age where it seems almost every other anime is about someone getting transported to another world, this stands above that because it does not rely on gaming tropes but good storytelling and characters to

The Vision of Escaflowne is available to stream subtitled on Crunchyroll and dubbed on Funimation Now. Note that these are remastered episodes of The Vision of Escaflowne and some episodes are extended. Funimation created a new dub for this release. I prefer physical media, however, and fortunately it is available as a series box set. The series set does have some of the non-extended episodes in the original Bandai dub available as an alternate track for those who prefer it. I do find the new dub serviceable but there are a few voices I prefer from the old dub.

Final Score 8.5/10

Review: A Silent Voice

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Let’s get this off my chest. A Silent Voice was totally snubbed at the 2018 Oscars! Boss Baby and Ferdinand? Really? Coco was a phenomenal film and probably deserved the win, but still, fuck the Academy and their nominating process. A Silent Voice is not only a great animated film with heart and emotion, it is great film that addresses real world issues that transcend cultures. And for those that heap scorn on Japanese animation as a legitimate medium of art, I would gladly hold this movie up as an grand example of fine animated film that is not done by Studio Ghibli.

A Silent Voice is a personal story about regret, redemption, and above all friendship. Many of us probably regret some things we did in our youth. I know I do. And we seldom get to make up for it. Shoya was 12 years old when he took a path that deeply effected his life and many around him. Now, six years later, he seeks to turn that around.

While in elementary school. Shoya is a class clown, and wild, jumping off low bridges into rivers with his friends, raising hell as many kids do at that age. One day, a new girl transfers into his class named Shoko. She uses a notebook to communicate because she is deaf. Unfortunately, this opens her up to not just teasing but straight up bullying led by Shoya. Even though their teacher sees it going on, he intervenes with disinterest. Yet dispite all this, Skoko does not complain. In fact she tries to use sign language and her limited ability to speak to ask Shoya ” Can you and I be friends?” Shoya just thinks she’s a freak. It isn’t until Shoko’s mother suspects something because she keeps losing her hearing aids that the school becomes involved. Shoya is forced to transfer out. And because of this particular shame and the teacher especially pointing Shoya out, he himself is targeted for bullying by the other students that were formally his enablers.

Now, a senior in high school, we see that Shoya is getting his affairs all in order. He’s closed out his bank account, sold everything, quit his job, marked off days on his calendar, and left his money next to the bed of his sleeping mother with a thank you note. The last thing he was going to do was return Shoko’s notebook to her which he still had from when they were young. But upon finally catching up to her to return her notebook he blurts out the sign language that he had learned, “Can you and I be friends?” This was not something he had planned on saying. His return of the notebook was supposed to be his last act of squaring his debts before suicide. Yet it will set him and us on a journey about redemption, love, friendship, and forgiveness.

Shoya, in the years since Shoko had to transfer schools, was ostracized by classmates, and subsequently labeled a bully which would follow him around to the present day. He grows up with no friends and even has trouble looking people in the eye. He actually starts a friendship with Tomohiro, a fellow student and social outcast himself. Yet he will go on to be come a great friend to Shoya when he needs it. Tomohiro is a pure soul of a person who does render judgments on anyone and is very protective of Shoya.

One of the plot points of Shoya’s burgeoning friendship with Shoko is her wish to want to reconnect with other classmates from when they were in elementary school. Shoya is a little reluctant in trying to reconnect yet is willing to do so, though it works for the most part, except for one girl, Naoko, who still dislikes Shoko and blames her for breaking up the fun group of kids that they once were.

The results will bring back up old memories of not just those that participated in bullying but also comments on those who were either enablers, or those that were complacent. Falling in between and walking a thin line is Miyoko who also transferred after Shoko did because the bullying made her upset. Reconnecting with Shoko, it turns out that she also had been learning sign language over the years and has always felt bad for running away instead of supporting her.

There is an incredible depth to this film that transcends the anime medium and elevates it to genuine art. The production by Kyoto Animation is full of color and subtle lines of beauty based on real locations in Japan. The music is subdued and at times sparse with a solo often melancholy piano. Outside of the opening title sequence using The Who’s “My Generation,” there is one other song performed by Aiko called  “Koi wo Shita no wa” (恋をしたのは).

Director, Naoko Yamada’s previous work has mainly been in slice of life animes like Clannad and K-On, and it is that experience of character focused anime that and glimpses of everyday life that offer subtle yet significant insight into the personalities of the gathered ensemble.

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What stands out though, is the phenomenal voice work by both the Japanese cast and the English cast. I would like to think that the performers knew that not only did they have a really good story and script to work with, they also knew that they were participating in something that was special and significant.

If you listen to the English dub, the performance by Lexi Cowden (listed on IMDB as Lexi Marman) as Shoto is particular emotional, even wrenching, as Lexi is deaf herself. She has said in interviews she reached into her own past experience of being bullied while young to render her performance. And while we are all the better for it, we also feel her pain as she haltingly and desperately says, “I’m trying to do my best.”

Robbie Daymond as Shoya, may be best known as the re-dub actor of Tuxedo Mask for Sailor Moon and Mumen Rider for One Punch Man, portrays a reserved and damaged young man teetering between self loathing and depression.

Be warned, there are points in the movie that may be difficult for people to watch, especially the bullying that occurs in the early parts during the flashbacks to elementary school. But beyond that it is ultimately a beautiful complex film that tackles me heavy subjects. It is told using the medium of animation that allows for some great artistic expression, especially with the symbolic POV of Shoya who when he sees faces of others, he just sees X’s on their faces, until he begins to make a connection to them.

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A Silent Voice is adapted from a manga by Yoshitoki Oima. As complex and layered as the anime is, the manga is even more so delving more into the side characters and their relationships to each other and their background. Certainly Naoka’s and Miyoko’s relationship as high school classmates. Tomohiro’s side story of an aspiring young film-maker is especially well fleshed out. The film does a very good job at the adaptation but if you are looking for more, the manga is available in both print and digital versions.

It had actually been a long road for A Silent Voice to make it to us. It received several limited theatrical runs in the United States, but was held up for a long time in home release.  It did receive a UK Blu-ray release in 2017 which I had imported because I had a region free player. But it was not until 2019 that it received a release stateside. Presumably it was a rights issue over the usage of The Who’s “My Generation.” Nevertheless not only can this remarkable piece of art be appreciated on home media, it is also available across digital services and is currently available to stream on Netflix.

There are few films that can take on, let alone, balance the heavy themes as well as A Silent Voice. It is a genuinely emotional and handles its complex subject matter with nuance that I don’t think can be found a live action equivalent. I have no reservations about giving this film my Highest Recommendation.

Final Score 9/10

Review: Cells at Work – Yes, Anime can be Educational!

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One thing I’ve noticed about modern anime is that sure enough, no matter the show, there will be waifu material in it. Is that a bad thing though? Certainly not — unless you engage in a heated waifu battle-rage wars about who is best girl. That is a given. What is not a given is actually having anime be educational. There have been a few anime that has actually been educational to me, Hikaru no Go, especially with its live action segments after each episode called “Go Go Eigo!” which taught viewers how to play the game of Go. There was The Rose of Versailles which covered quit well the court of Marie Antoinette and what would lead to the French Revolution and the Reign of Terror afterword. I’m sure there are others out there. One anime that does stand out for going out of its way to educate the audience is 2018’s Cells at Work. Yes, kids you can not only have your adorable waifus, but you can get a biology lesson as well — not that kind of biology you pervs.

Anthropomorphized things are nothing new, even to western audiences. Disney and Pixar gave us Cars, Zootopia, and Inside Out. Based on the manga series by Akane Shimizu, Cells at Work revolves mainly around a single red blood cell circulating within the system of a single human body. As the series unfolded I could not help but think, this guy (or gal) has incredibly bad luck and does really horrible things to their body. )There is, in fact, a spin-off manga where the person is in horrible shape, and lives an unhealthy lifestyle like smoking and drinking.) Throughout each episode we encounter a weekly monster virus or bacteria to menace the body and it is up to white blood cells, killer t-cells or macrophages to solve the attacks. Even platelets get in on the action for the episode about a scrape wound. And they are plain adorable.

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Each episode usually focuses on Red Blood Cell trying to go about her usually duties of delivering nutrients through the circulatory system of the body and because of this she is the perfect character to encounter various threats to the body. She does seem to keep encountering a particular white blood cell along the way and throughout the show they encounter such small things as a scrape to cancer cells.  With many of these encounters and as other cells are introduced, we get a narrator’s voice as well as onscreen text that explains the functions of a cell.

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In all honesty the show not that spectacular, but the biology angle and its shear charm are what makes it special. It also helps that it benefits from high production animation and an episodic nature where you really don’t have to watch the episodes in any sort of order. I watched this show with a friend who is not only an anime fan but a biologist and so each episode he added comments of the accuracy of the show and even when it had stuff that was new to him. Either way, he enjoyed it.  There are a few videos of professionals reacting to the show and it’s been quite positive.

Yet it is absolute fun. The cast is not as huge as a typical shonen show, and in fact the characters are designed to look alike since they serve a certain purpose. Red Blood cells wear what appear to be Red uniform versions of UPS drivers and Macrophages are maid. Yet somehow the anime manages to imbue the characters with personality such as our main red cell who has the problem of always getting lost in the circulatory system. The White Blood is rather protective of Red. Which of course in the Internet age means, shipping! The platelets are possibly the most adorable group of characters in years and they do important work too. And dammit the Macrophages just personify beautiful but badass women. Plus they are adults.

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Cells at Work is not typically shonen nor is it slice of life, though there is a lot of slicing going on — get it? I made a pun. It is, however, a very entertaining comedy with action and enough charm to fill up a trailer. The uniqueness of the idea and the enduring quality of all the characters, even the bad viruses make this a show worth watching. It is one of those shows where it just feels good to watch, sit back, and enjoy.  You just may learn a few things along the way too. And if there is one lesson to be learned it is a philosophical one, your waifu is within you.

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Cells at Work is currently streaming subtitled on Crunchyroll. The English manga is licensed by Kodansha comics both digitally and in print.

Black Clover is Shonen Trash – But I Can’t Stop Watching It

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How to win a fight in anime:

  1. fight rly hard
  2. get the shit beat out of you and fall to the ground
  3. get up slowly with blood dripping from your mouth
  4. crack a smile and say something about friends and not giving up
  5. win. that’s it. you automatically win after following steps 1 – 4

— Internet meme

I’m going to put this right out there. I am not a big fan of shōnen anime. I gave up after my first hundred and twenty episodes of Naruto, the first 24 episodes of Bleach. I’ve never watched One Piece, never got into any Dragonball, yet I did like Hunter x Hunter (the 1999 anime, I’ve yet to watch the reboot). And after 75 episodes of Fairy Tail, I’ve hit a wall, even though I actually own all 200+ episodes.

Now along comes Black Clover, the new “King of Shōnen” if you can believe the marketing. In a world where magic is everything and everyone in it has magical powers, Asta an orphan boy is born without magic. Yet he has high hopes to become the Hokage of the Leaf Village The Wizard King of the Clover Kingdom. And on top of that, he is obsessed of one day marrying Sister Lilly Aquaria, who isn’t only older, but isn’t allowed to get married. His declared rival, Sasuke Yuno, who was orphaned together with Asta, and raised together with him is a prodigy magician. He also wants to be the Number One Hero Pirate King Hokage of Leaf Leafe Village Wizard King. And as hot-headed and spirited as Asta is, Yuno is cool and aloof.

At the age of fifteen, both Yuna and Asta are eligible to attend the “Grimoire Acceptance Ceremony” where the wand grimoire chooses the wizard. Grimoires are magic books from a magical library that hold records of spells specific for its owner. Because of that, no other wizard my use it, though a wizard can have it taken away and do pretty much nothing else with it, I guess. As one levels up, more spells appear in the book. It’s not like they learn the spell it just appears because they defeat some enemy or something. I’m sure it makes sense to someone, just not me. Yuno, gets the rare card in the deck unique weapon grimoire, embossed with a four-leaf clover. It’s the Clover Kingdom you see, and you know, four-leaf clovers are special. Poor Asta gets no grimoire since he has no quirk magic in him.

So early on, Yuno is attacked by random bad guy for no real reason. Asta comes to his defense despite having no magical powers, but he is in great physical strength. In the fight, a grimoire magically appears in front of him where he pulls out as massive sword that bares a striking resemblance to Guts’ Dragon Slayer sword from Berserk. And it turns out it’s an anti-magic sword that negates any magic. Nifty, huh?

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So there you have the groundwork. Loud spiky haired kid wants to be #1 at whatever in his world who all his life has been looked down but his greatest strength is not giving up. He gets big weapon that lets him play with the other kids and adventure ensues.

Now no shōnen copying a half a dozen other shonen would be complete without a large cast of supporting characters. And they come in the form of teams of Magic Guilds Knights, protectors of the kingdom in service to the King. Note that the King and the Wizard King are two separate people and titles. Yuno of course is recruited by the elite cream of the crop Magic Knights, The Golden Dawn. Asta is recruited by the island of misfit wizards the Black Bulls.

For tension within you have the nobles who are basically a class of entitled a**holes who look down on wizards from peasant villages like Asta and Yuno. Reminds me a lot of J.K. Rowling’s world. And of course you have a tsundere waifu character in the form of Noelle Silva, a noble who is one of the Black Bulls. She has great magical potential, too bad she can’t control it. She gets better control a few episodes later by getting of all things, a wand.

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But here’s the thing, like eating Jack in the Box tacos at 2:00 in the morning after a night of drinking, it’s delicious bad food. Sure it’s bad for you, you know it is, but it satisfies the palette at the time. Like I said earlier, I’m not a huge shōnen fan, but I am a junk food fan. And possibly in an era where a show like My Hero Academia did not exist, it could well be a great show.

The show does its magical battles well and most of the involve teamwork. That adds a nice dynamic to the usual half a dozen episode battle wrecking everything in sight. In the case of Black Clover it also allows the supporting character to shine and contribute to the story as well. Noel’s story develops nicely within the first season and its nice to see her growth and contribute to the team. Yami, the captain of the Black Bulls may not get to jump into fight as much but when he does we all know that shit’s about to get very serious. Charmy, who is a tiny little glutton and is mainly comic relieve is a pretty bad ass powerful wizard.

I’ve read about 5 volumes of the manga and it seems to work quite well in that form. So where does the anime go wrong? Part of it is that while reading the manga, the full impact of Asta’s near relentless shouting of everything is not as grating. Another thing is that the anime chose to run its first season at 52 episodes. And Season 2 is actually picking up right after. The series is done by Studio Pierrot. If that name sounds familiar, they produced two of the big three of shōnen, Naruto and Bleach. (The third of the big three, Dragonball Z , was produced by Toei Animation, the studio responsible for Sailor Moon and One Piece.) Pierrot certainly knows how to stretch out their episode times with padding, such as recaps at the beginning of each episode, after each commercial break and in the case of Black Clover, closing minis that really have nothing to do with the episode. So basically for each 24 minute episode, you might have about 19 minutes of actual content. And when you have battles that last a half a dozen episodes it can get annoying unless you are bingeing. And you know how Naruto had full on runs of filler arcs? Black Clover suffered with filler episodes, from the very beginning. The good news is that most of that filler was in the early episodes and it seems to be transitioning from one arc to the next with ease.

This could have been eliminated with simply following a standard pattern of seasonal anime of 24 to 25 episodes per season so there is no danger of catching up to the manga. But Pierrot seems dead set on milking this to death. Nevertheless, except for a gap where I stopped watching for a few weeks I kept finding myself going back and anxiously going onto the next episode. The second season seems to be gearing up for a darker tone as Asta

Despite the show’s shortcomings, it can be enjoyable. So if you fee the need to fulfill that anime shōnen gap left by Naruto and Bleach, Black Clover is certainly a decent enough show to fill it with.

Black Clover streams in Japanese with English subtitles on Crunchyroll

Funimation has the English dub on their sight FunimationNow