Abominable by Dreamworks does not do anything revolutionary as far as American animated features are concerned. In fact it downright emulates a classic film of almost everyone’s youth, E.T. The Extraterrestrial. It’s not necessarily a bad thing since it still does does a good job of entertainment overall, despite its familiar plot. Some shortcomings come from a story that plays out as if there were scenes missing from the final cut that would have helped the narrative feel more fleshed out. But in the end, it is a cute entertaining film that is family friendly and treats their young characters as good kids trying to do the right thing.
Yi (voiced by Chloe Bennet)is a teenage girl living with her mother and grandmother in an unspecified Chinese city, though I suspect it is either Shanghai or a reasonable substitute. She spends much of her days doing odd jobs throughout the city for extra cash. All the while her family does not know this. All they know is that she disappears all day without telling them what she does. She has a little hideaway on her roof where she keeps mementos and the money that she has stowed away for what appears to be a plan to travel across China.
One night she discovers that an escaped Yeti is hiding on her roof and some bad guys are looking for him. You can tell they are bad guys because they all dress in black and their helicopters are black. She decides to hide him from their search lights and figures out he just wants to get home which happens to be Mount Everest.
She decides to initially get him on the next cargo ship that will travel up north in the Yangtze River. But seeing that Everest, as she has named the creature, may not be able to survive on his own she makes the decision to make sure he gets all the way home. Along for the journey is her younger neighbor Peng (Albert Tsai) and his cousin, Jin (Tenzing Norgay Trainor). While Peng is the plucky and childlike adventurous type, Jin is more responsible but is also the typical teen concerned about his appearance and how many likes he gets on social media. The kids are pursued by the aforementioned team in black and are led by mega-rich guy Burnish (Eddie Izzard) who wants the Yeti as a prize in his collection of rare animals.
The majority of the film is a pursuit film that doubles as a gorgeous travelogue through the landscapes of China, including the giant Buddha of Leshan, and of course up to the very summit of the Himalayas. Accompanying the stunning visuals is an accomplished score by by Rupert Gregson Williams, which is highlighted by beautiful violin solos performed by Charlene Huang.
The plot is very basic but it succeeds in its execution. The animation from Dreamworks and China’s Pearl Studios (technically a spin-off of Dreamworks Animation) is a solid presentation technically and artistically. The character designs are very expressive and are helped along with fine performances by the voice cast of mostly Asian and Asian Americans. The backgrounds of Chinese landscapes are without a doubt lush and a wonder to the eyes. My only issue is with the design of Everest which resembles more of a giant Muppet dog than human-like that lies mostly in our subconscious mythology. He also has magic Yeti powers.
Every so often, Everest uses his powers of Yeti Ex Machina to get himself and the kids out of a jam and save them from not only the goons chasing them, but also starvation. He basically uses his powers when the plot calls for it, or if the writers don’t have a creative way to get out of the corner they are in. This is the film’s biggest negative and it comes across as a little lazy. Stuck on a cliff? Yeti Ex Machina!
For a movie that is as derivative it is, it still manages to lure you in with some great characters interactions, particularly between the kids. Yes, they snipe at each other and will bicker. But the bottom line, is that they still treat each other as family and have each other’s back. Yi’s family dynamic is tight and yet she feels distant from them since her father’s death. Yet her mother and grandmother are still there and have faith in her. Their relationship is as warm and inviting as any in the world. These are genuinely good kids trying to do the right thing no matter what. These characters will draw you in enough to care what happens to them in their adventure.
Now, this movie could have easily been told as an American tale starting off in an typical American city with a Bigfoot substituted for a Yeti. And honestly it could have worked just as well as far as overall plot. But with China as a setting it offers quite a unique perspective, not only of what the countryside and cities are like, but of it’s culture. As much as the film does a great job of just showing magnificent landscapes of China, it does not do so in a pandering way. At no time do we or should we feel that we are undergoing a geography lesson other than how far the Himalayas are. The cultural identities of the characters are not treated as some exotic alien culture but as a matter of fact. That is because the universal bonds of family and friendship cross cultural barriers.