Like many, I grew up reading the works of J. R. R. Tolkien and his excursions into middle-earth. Even though world building has come a long way since then with other grand epic fantasies, Tolkien paved the way not only with his imagination of his worlds but his sense of history and primarily language.
There are a few things that go into consideration when making a biographical motion picture of such a creator as Tolkien who not only has a large literary body of work but has also been the source of several huge films based on his work. One of the things to consider is what separates the artist from the art and what influences led the artist to create?
This is a Fox Searchlight production. It does not reference the Warner/New Line movies in any way. On top of that, it was made without the involvement of the Estate or family. This last part may leave a sour note, but the fact is that Tolkien estate has never authorized any sort of biographical film about Professor Tolkien, and seem unlikely to.
With all that out of the way. this biopic directed by Finnish director Dome Karukoski is a fine dramatic picture and portrait of an artist as a young man, but of the bonds of brotherhood that that would impact him for the rest of his life. On top of that is the romance he shared with Edith Bratt, the love of his life — not only the future Mrs. Tolkien, but the Luthien to his Beren.
You can approach Tolkien as a fan of his work, but even if you know nothing about The Lord of the Rings, The Hobbit or any of his other works, you can appreciate a remarkable period coming of age film about fellowship, young love, the horrors of war, and the lasting impact they have on us for the rest of one’s life. People expecting insight or revelations into the creation of Professor Tolkien’s world will have to be satisfied with being offered the building blocks that are at the heart of his imagination.
At a young age, he (the younger young Tolkien is played by Harry Gilby) had always had a love of languages and was an adept reader. He was home-schooled by his mother who would unfortunately die while he and his brother were quite young. He and his brother are put into foster care while Father Morgan, a gruff priest (played full on Irish by Colm Meany) is his legal guardian. While in school, he forms a friendship with fellow students that would influence the ideas of the bonds of fellowship for the rest of life.
As a teenager (now played by Nicholas Hoult), he meets and falls in love for fellow boarding house resident Edith Bratt. Father Morgan is opposed to this on the basis that it will effect his studies and his admittance to Oxford, and she is not even Catholic.
Even when he is an Oxford student, he is not the not the best at his studies of classics, but would later find his his true calling at the prodding of a philology professor, played by Shakespearean legend Derek Jacobi.
The trailers for this film made me think this was a biographical movie that mixed in the author’s life story with his fiction in surreal fashion like Paul Shrader’s Mishima: A Life in Four Chapters. I certainly thought so from trailers, but that is not the case. The instances of surreal, dream and nightmare images of reality and fantasy elements mixing together are confined to Tolkien’s experience in the trenches of the Somme during World War I. The Battle of the Somme serves as the centerpiece to the story as most of the film is told in flashback from it.
Tolkien is a film worthy of seeing not only for fans of the Professor, but even for those who are not. It is filled with fine performances by actors of young to old. NIcholas Hoult as Tolkien brings a balanced mixture of a youth that is conflicted with what his heart’s desires and what is expected of him. Lilly Collins as Edith Bratt (who once auditioned for the role of Tauriel for Peter Jackson’s Hobbit trilogy) makes it easy to believe why she would be the eternal love of J. R. R. Tolkien. It is also supported by a remarkable score by Thomas Newman who may have done one of his best work in years since Shawshank Redemption. Sure, the film could cover the famous years that have been the subject of many documentaries already, but that would make for a trilogy of films if it did.
Overall, this is a very entertaining film. Whether you are a fan or not, it transcends the biopic genre and presents a drama that is well made, intelligent and entertaining. Recommended.