Review: Ip Man 4 The Finale

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There is a certain amount of leeway I give to Hong Kong cinema, especially for martial arts films. The history of the genre is not filled with the most grand scripts or original stories. Historical set martial arts films delve into historical fiction most of the time if not outright fantasy. A dead giveaway is that any movie with the word Shaolin in it is probably pure fiction. Any movie that features a character named Wuang Fei Hung is pure fiction other than there was a real Wong Fei Huang that existed in real life. Well, Ip Man, the real life grandmaster of Wing Chun, and Bruce Lee’s instructor, has now joined that pantheon of legendary martial artists immortalized as absolute fictionalized real life martial artists like Wong Fei Hung.

There is no such thing as an official Ip Man franchise since we are dealing with a historical figure, but the films that are used as reference are those starring Donnie Yen as Ip Man. Much like Jet Li’s portrayal of Wong Fei Hung, he will probably be synonymous with that character a.forever despite a multi-decade long career. Simply called Ip Man, the films have become a high standard in martial arts action. But let me be honest. While portraying titular character as a national hero, he has become a symbol of Chinese honor and virtue. That is all well and good. The downside, however, is casual, hopefully unintended, racism and and stereotyping towards non-Chinese. In the case of Ip Man 4:The Finale. there is a definite sense of Chinese spiritual pride in the face of xenophobia.

Through the last three Ip Man films, we’ve seen him fight against the Japanese occupiers of Shanghai (probably the least cartoonish portrayal of non-Chinese); an over the top British boxer in the Hong Kong colony who insults Chinese Kung Fu; and an American land developer trying to take over a grade school. Mike Tyson turns in a surprisingly decent performance as the leader of the real estate gang. The portrayals of white Europeans and Americans have tended towards stereotypical tropes of blatant racists.

In Ip Man 4: The Finale, Sifu Ip finds himself in 1964 San Francisco. After his wife passed away, he is left with a rebellious teenage son who is estranged from him (of course). At the behest of his student, Bruce Lee, Ip decides to visit him in San Francisco. This will set the table up for tensions between bigoted Americans and the community of Chinatown.

As a born and raised San Franciscan, it is absolutely obvious that the locations of Ip Man 4 look nothing like San Francisco. There is not much to recreate the look of the city from that time period other than maybe the correct look of our street signs. The main tensions arise from two fronts, a racist Marine sergeant and extremely pro-Karate exponent (Scott Adkins), and Walters, an Immigration officer who has it out for the local Chinese Association. There is no Marine training camp in Northern California, let alone the Bay Area. And I highly doubt immigration officers in 1964 wore black leather bomber jackets.

But, as I said earlier, no one comes to see a martial arts film for compelling scripts or spectacular acting. Though the Chinese cast is full of veterans and all do well, the same can not be said for the cast of Western actors who either stiff and unemotionally recite their lines or are over the top in their cartoonish villainy. Scott Adkins treads the line in between. Even though his character is over the top, he come across more emotionally believable.

There are, of course, plenty of spectacular fight scenes not only featuring Donnie Yen but also Danny Chan Kwok Kwan as Bruce Lee. Chan has almost made a career of playing Bruce Lee. He’s played lookalike homages to Bruce Lee in such films as Shaolin Soccer and Kung Fu League. He has also played the legendary star The Legend of Bruce Lee television series, and  in Ip Man 3 and 4. By this time he fits in comfortably in the role. It is a faithful and close dedication to Lee, as we have know him on screen. Chan does well in that regard and carries it off well. The real Bruce Lee in non-screen fights would not have fought like we see in this film. Like I said, this is historical fiction.

But in the end it all comes down to the the one on one showdown between Donnie yen and Scott Adkins. Scott Adkins has, for years, been making a name for himself as not only a great martial arts actor, but has also impressed as an actor as well. With no wire or computer trickery, the fight is a a kinetic hard hitting battle between wing chun and karate.

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Returning as director is Wilson Yip as well as action choreographer Yuen Woo Ping. Yuen Woo Ping is a legendary choreographer, and he has worked with Donnie Yen throughout Yen’s twenty-five year plus career. The team manages provide plenty of glorious action set pieces. The same ca not be said for the scripting. However beneath that, either intentionally or unintentionally, lies a subtext of the treatment of immigrants. Though the comments from the Americans seem more at home to a show like Warrior, which takes place a hundred years before Ip Man 4, the xenophobia somehow seems relevant in light of how the world perceives America talks about immigrants today. And as I write this, we are seeing an uptick in xenophobia against Asians and specifically Chinese. Yes, some of the messaging can be over the top, but now it’s unfortunately too topical.

Ip Man 4: The Finale goes out with style and is proud entry into not only the franchise but as it closes out the series, it is also one that will stand as one of the better martial arts films to come out of China and Hong Kong. It concludes the saga on a high note, and if we can believe it, it genuinely is the last of these films. Now, that is not to say that such quality will be over with as there has already been a spinoff movie titles Master Z: The Ip Man Legacy released to very good reception.

Ip Man 4: The Finale is distributed by Well Go USA and comes to digital services on April 7th, 2020, and on home video, including 4K UHD disc on April 21st.

Final Score: 9/10

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John Wick: Chapter 3 – Parabellum Prepares for War

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Si vis pacem, para bellum. “If you want peace, prepare for war.”

I remember the first time I ever saw the movie The Killer and Hard Boiled. It was my first exposure to John Woo. After that, I kept seeking out not only more John Woo films like A Better Tomorrow, I was checking out all sorts of Hong Kong action movies with elaborate stunts and gun choreography.

As Hong Kong’s over the top action films started to decline (that’s a whole separate article there), it was countries like South Korea with high production values that appeared to take up the torch. And it certainly seemed like it, but in reality it would be countries like Thailand, led by instant star Tony Jaa, and Indonesia’s Raid films that would inject adrenaline into the modern martial arts action genre.

The following contains spoilers for John Wick 1 and 2

You can read my recap or watch Keanu Reeves cover the first two films in 60 seconds.

The Matrix films, starring Keanu Reeves, were clearly influenced and paid homage to the Hong Kong action films and anime. Those films were revolutionary with their mix of action and special effects. When the first John Wick (again starring Keanu Reeves) movie came along in 2014, it was not only a great action film, but it changed the way action films would look.  The John Wick films was an intense visual feast of grounded fight scenes and gunfights. It became a resounding success both critically and financially. The premise was simple, John Wick is a retired assassin who was living a normal life with his wife. But unfortunately she dies, and as her final gift to him she has a beagle puppy sent to him so that he would have someone to love. In what seems random, his house is broken into and they not only steal his ’69 Mustang, but kill his dog. And that is it, hell is unleashed on the gang and the gangsters that get in his way for revenge.

So it was inevitable that there would be a John Wick Chapter 2 which continued directly after the first one. It really was like a second chapter in a book. In this sequel though, after finally getting his car back from a chop-shop, he is approached by someone who has a marker on him. It is an unbreakable bond that he is obligated to fulfill. The second film expands upon the lore and mythos of the John Wick world. But by the end, after breaking one of the cardinal rules of assassins, he is rendered “excommunicado” with an open $14 million bounty on him.

On to John Wick: Chapter 3 – Parabellum

The third installment of the John Wick franchise has the daunting task of not only living up to the amazing action and stunts of the previous work but also topping it. It succeeds in this in glorious fashion in both fighting scenes and shootouts that come at you one after another, with each sequence being more jaw-dropping than the last.

Chapter 3 opens within an hour of the ending of Chapter 2 with John Wick on the run as every assassin in Manhattan is after him and the huge $14 million bounty on his head. So from the beginning we are thrust into the action. That action is near relentless as we go from one elaborate scene to another. There is an early scene within the first 20 minutes or so where Wick must fight off a horde of other assassins. (Seriously, that is not any sort of spoiler.) Unarmed, he finds himself using whatever weapons he has available, It just happens to be some sort of antique shop or museum full of knives.  But just before that is a great homage to a scene from The Good, the Bad, and the Ugly.  Right away, the close quarter fight is brutal and raw – topping any other single set piece in the previous films. Look for a cameo by Tiger Hu Chen, good friend of Keanu Reeves, stuntman and assistant choreographer on the Matrix.

Now, the plot is there to not only serve the action but to expand on the lore of the Assassin’s world. It serves its purpose well — but to talk about it too much past the bare basics would spoil the film. With the price on his head, Wick looks for a way to get it lifted. To do so he must first speak to the man above the High Table, the organization that controls the assassins. Yeah, he has to speak to upper management.

Part of that journey involves a trip to Casablanca, Morocco where he will get some help from Sophia (Halle Barry), who just happens to owe Wick a marker herself. And Halle Barry not only adds additional star quality to an already loaded cast, but joins in on the gunplay action.

In the previous films, John Wick was the lone man against many, but once Halle Barry’s Sofia comes along for the ride we realize he not only has star caliber allies but star enemies as well. In addition to the accomplished martial arts actor Tiger Hu Chen earlier is an appearance by a pair of actors from The Raid films, Yayan Ruhian and Cecep Arif Rahman who play a pair admiring killers in a two-on-one fight scene that involves a lot of breaking glass. But most fun to see of all is Mark Dacascos as the leader of a gang of modern shinobi that Wick faces in the final battle (Come on, you know there would be ninjas eventually). Mark Decascos has had a long career in martial arts roles including Cradle to the Grave and most notably Brotherhood of the Wolf, but some may recognize him as the current “Chairman” from Iron Chef America. His character serves as the main villain and provides a few bits of levity as well. Decascos’ prowess is very well displayed and he seems to be having the time of his life doing such intense action.

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In non combat roles, Ian McShane and Laurence Fishburne reprise their respective roles from the previous installments. Hollywood legend, Anjelica Huston joins in to provide some back history to John Wick. And Jerome Flynn, best known as Bronn from Game of Thrones chews up a bit of scenery in his small role as a member of the High Table.

Lawrence Fishburne and Tiger Hu Chen are not the only Matrix alum to join Keanu Reeves. Look for a cameo by Randall Duk Kim who played the keymaker in the Matrix films to reprise his roll as the underworld’s go to doctor. Director Chad Stahelski not only served as martial arts stunt coordinator for the Matrix films, he was also Keanu Reeves’ stunt double. So this is nearly a family affair.

If I can lay any criticisms on the film it would be near the end in the last set of fight scenes. John Wick really should have died several times, but I guess out of professional courtesy or respect, he’s given a chance to get back on his feet on more than one occasion. But at this point in the franchise, he’s not just a guy anymore, he’s literally a bloody superhero.

A fourth chapter in the John Wick saga has already been announced, which is no surprise since the final scene before the credits roll provides the seeds for a sequel. How they could possibly continue to top the exciting action sequences from film to film is going to be the biggest mystery.

Some action films are generic. Some are outright forgettable. The John Wick films have not only been instant classics but each has been progressively outstanding in its action. This third chapter comes with the Highest Recommendation

Ninjas on motorcycles! Hell Yeah!

Jade City by Fonda Lee

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Jade City is my adult debut and it also marks my foray into epic fantasy. It came about from watching kung fu movies and thinking, “You know, I’m a long-time student of martial arts, so why can’t I punch through concrete or fly thirty feet into the air yet?” I started envisioning a society where magical jade granted special abilities to warriors with the proper training and bloodline, and the idea merged with my longstanding enthusiasm for mafia stories to become this modern gangster family saga. It’s the most intense, ambitious thing I’ve ever written, and there’s more to come.

— Fonda Lee

Some of my fond memories of growing up was watching plenty of Hong Kong martial arts films as a kid. With the advent of home video, I discovered the gangster genre, which included of course healthy doses of John Woo movies, starring his muse Chow Yun Fat. I also became fans other directors like Ringo Lam and Johnnie To. Growing up, my favorite pieces of American Cinema was and is to this day The Godfather and The Godfather Part II.

Fonda Lee and her first non-YA novel Jade City blends together so much of what I loved in movies from my youth: wuxia, heroic bloodshed, gangsters, and brotherhood. It gives us a world that is heavily influenced by Asian cinema and culture without it being an entirely Asian specific culture or country. What comes out is an original fantasy alternate world that feels like our own yet is incredibly unique and fresh.

Jade is a vaulable substance that allows certain members of society to channel magical properties that enhance strength, stamina, and reflexes. Jade users are known as Green Bones and at times their powers are almost legendary. But in reality they can only can use it properly after very long and thorough training. For the untrained the allure of jade can be seductive and even touching it can have addictive properties, instilling a lust to possess and wear it. Those that are properly trained can become strong fighters and when in single combat duels or other fights to the death, the victor will take their dead opponent’s jade, making them even more powerful.

The city of Janloon is a post “War of All Nations” city on the island of Kekon that has power divided by two ruling clans. Though on the surface, it may seem as these are criminal organizations they are responsible for keeping the peace. They are regarded as protectors of their territories and of the people who live in it. It is almost feudal. Kekon was once colonized by foreigners and goes to say that their is quite a bit of prejudice against foreigners and especially those who are half-blooded.

The Kaul Family run the No Peak Clan and they are highly regarded with its elderly and ailing patriarch, the Torch, a hero to the people. His grandson, Lan, is the current Pillar of the clan, the leader. His younger hot-headed brother, Hilo, is the Horn, the head of the troops, or fists. They maintain a steady peace in their territories. Their biggest rival, the Ayt family of the Pillar of the Mountain Clan is its biggest rival and has aspirations of total control of the city. Within this conflict is family struggles of power, how those who have it don’t want it and those with the greatest power potential is groomed for great things at a young age.

The rivalry between factions come to a head when gang war breaks out and effects the whole city. Battles rage in streets for territory and shops and restaurants are even at play for the loyalty of their proprietors. Within that war, heroes, such as they are, will sacrifice and suffer loss. Bloodshed rains down by duels of bladed weapons, talon knives, or moonblades as they are called. And what gangster epic of heroic bloodshed would be complete without gunplay?

One running theme in the book is of people having to heed a call to a duty they are reluctant to assume. Some family members find themselves in situations where they doubt their ability to lead but because of family loyalty and honor they must. Shae, the young sister of the family is reluctantly drawn back in to the family affairs after leaving for some years and even abandoning her jade. Lan must come to the grips of handling a war that he was not meant to fight since he is not considered a wartime Pillar and must earn the respect of his soldiers. Hilo will later have to assume more responsibility than he had ever wanted or asked for.

The world that Fonda Lee creates is a rich one filled with history and atmosphere. It has a unique usage of titles and honorifics for its large cast of characters. Frankly I wished there was an appendix in the book. But that richness is what makes the world so immersive as well. This book may be heavily influenced by Asian cinema, but I of course kept imagining it as a perfect venue for an anime adaptation with a jazzy soundtrack like Cowboy Bebop’s. Jade City’s world is definitely one I’d like to visit again. And since this is the first of a planned trilogy and the second book Jade War is forthcoming I will gladly plunge into this it all over again. Highly Recommended.